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Stephen Brannen's avatar

Man, this is the kind of concept that is so intrinsically significant for...everything...that it demands to be carefully considered. I remember reading or hearing Jordan on this topic somewhere at some time, but I clearly wasn't fully prepped to receive what he was saying at the time with the openness which it deserved. I think I ran aground on the obvious rocks of "changing the past feels cheap and like cheating." I completely get now that this is a much more nuanced supposal, not cheap at all, but thorough, and most of all, accomplishes what absolutely must be accomplished: the righting of every wrong, the making whole of every relationship, the abolition of evil, the theosis of every creature.

I wonder, though, if there are other ways to conceive of those things being accomplished without a remaking of the past, a re-writing of the story. Maybe, instead of the events of the past changing, their meaning and whole character changes. It may just be an aesthetic prejudice in me that still chafes at the thought of a re-writing of the story; like, why allow this version at all if learning things or growing in virtue and knowledge could (and may be in the age/ages to come) be accomplished differently? I'm really thankful for Benjamin in his comment bringing up Christ's wounds in the Resurrection, because I was going to as well. And I like Jordan's answer about this as a measure of the degree of humanity's total transformation such that when there are no longer any wounds in the whole of humanity, there will be no wounds on Christ. There's a poetry and a logic to that. But what if the wounds aren't *merely* that, a lingering sign of wounds still to be healed? What if they have another character to them, and are actually badges of love, their meaning having been elevated. What if, even after there is no guilt left, no shame, the wounds are retained as pure glories. I can't help thinking that there's a deeper principle signified by those wounds, a pattern of God's work, his "style" as C.S. Lewis was bold enough to call it in "Miracles": radical newness in Resurrection, yet with continuity to the old.

The same idea has been applied to the Saints, too, their special characters and charisms coming from their experiences, not least their sufferings. There are these great lines from an old Latin hymn (O qui tuo Dux martyrum) about my Patron, St. Stephen (whose name means crown):

The stones that smote thee, in thy blood

Made beauteous and divine,

All in a halo heavenly bright

About thy temples shine.

The scars upon thy sacred brow

Throw beams of glory round;

The splendours of thy bruised face

The very sun confound.

I think maybe there must be certain blessings and glories which could never arise or be brought about except through the *redeeming* and *transforming* of former pains. Isn't it conceivable that there are goods which could never have gotten their unique character without having been first transformed from evils? Something horrific at this stage and level which, as we grow in theosis, turns out to have been merely a tiny twist, a shape ("not worthy of comparison..."), that yields up a glorious pattern of growth that bears no resemblance to the twist but also could not have gotten its glorified shape without it? Instead of thinking of Creation as a static good that has been marred and must—as if in an afterthought—be rescued and reset and re-created, maybe Creation was always more like a story which was going to require its drama and plot twists in order to be brought to a glorious conclusion: the ultimate “happily ever after" that no creature could have guessed or imagined. Thinking of Creation as a story (a "narrative cosmology" we could call it?) doesn't chafe against my aesthetic sensibility as much, and still accomplishes those non-negotiables I mentioned above.

I don't want to be too confident in any of this, as you mentioned in your reply to Benjamin. They're just things I've been mulling over. Would love to hear your thoughts on them.

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Dana Ames's avatar

So encouraging, Jesse. And thanks from me to Miriam, and also to Benjamin who commented.

Dana

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